前几天就收到了其实。
花花绿绿的。居然这样是可以寄出来的亚。
一直以为只可以改造卖的那种明信片的呢。

“我喜欢有梦的人生 和 无梦的睡眠”

这句话象极了那天我说：我想生病。觅说的那种“置身事外的清闲，却又没有病痛困扰”
可是貌似很难两全。

帖下背面：）

正面就只有我能看啦。

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太诡异了。。。。

点击查看大图

基本从来没去过。。。
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      You are a drug to me 
I never ever thought it otherwise 
And I love the lies you’ve told to me 
While looking me directly in my eyes 

This is not ecstasy, but it’s better than cocaine
and you know that I will miss you when you’re gone 
but I’m not equipped to play this game 

You know your words 
They don’t mean anything to me 
They only serve to fatten up the prey 
And when it’s time to take them to the slaughterhouse 
you slice their throats, continue on your way

This is not jeopardy 
and it’s not your high school prom 
and you know that I will miss you when you’re gone 
But I’m not equipped to be your mom 

You are a drug to me 
I never ever thought it otherwise 
And I love the lies you’ve told to me 
while looking me directly in my eyes

被Grant低沉的叹息样的声音吸引住了 很贵族的感觉。

有落泊了的消沉 又有点看惯风月的不屑感觉。 这个Drug里面开始的反复的扫弦就感觉很微妙。

像某日我们坐在大平台讲话，讲很多话，无关风与月。就说这晚上的风，说夏天的月，说大平台滑着滑板的男生和一对对陌路走国的青年们。一杯果味啤酒，酒精浓度低到小数点一位。  用勺子划开管妈妈送来的西瓜，坐在伟大祖国的旗杆下，风尘仆仆的吃西瓜。我说，这咸咸的西瓜还真是奇特的味道。把天杀的 Delta坐在屁股下面，陶子还是低低的眉，还是不够聪明。我觉得特别无奈，好吧，这个你的事儿。大一的小DD特别乖巧，真是太口耐了。。又是一个被苏小沫压迫的劳苦人民诞生了。

我说这个红黄蓝的搭配是有点鬼，要是白天效果估计就没有了。

回到The Czars,开始以为是个英国的乐队，那种有礼貌的怠慢，压抑的释放感。是因为生活的太自我了么，世界里只有过去的片段，不能去忘掉，这种无法释怀的情节 就变成了一种反复的咏叹的旋律，真如中了毒一样。慢慢的吞噬生命，根本没有办法逃脱。所有的生命和时间就在这种浅浅的吟唱里等待，然后头微微一抬，发现伊就在远处的黑暗里哭泣，问一句：你也在这里？回家吧。伊就用细碎的步子和我回家了，失散多年，迷路多年。

附：乐队介绍

A short history of The Czars :

The Czars started in May 1994 when vocalist John Grant and bassist Chris Pearson had a chance meeting at Rock Island, a club in Denver’s lower downtown warehouse district. It took over a year to pull a complete band together and play their first show. The early years were slow, but recording began with local music icon Bob Ferbrache in 1995, who produced the first two albums. Contrary to press releases, the band actually self-released two albums, “Moodswing” and “La Brea Tar Pits of Routine” on their own label, Velveteen Records in 1995 and 1997, the later was sent to Cocteau Twins’ Bella Union in London. Bella Union initially balked, but a follow-up five-song demo was quickly recorded and sent to Cocteau’s Simon Raymonde. He offered the band a four album deal soon after. The Czars would be the first American band to sign with London’s Bella Union. A string of local opening gigs followed with opening slots for Low, the Dirty Three, and Ween (! ? !).

Recording on “Before…but longer” was initiated at London’s September Sound studio in September ’98, and Raymonde finished production on the album in December, but shelved the album because he was hoping to procure an American record deal. Then after playing SXSW in ‘99 and ‘00 then waiting for an American label to jump on the proverbial bandwagon, the album would languish for almost two years before finally being released in Europe in May 2000 without that elusive American deal. Chris Blackwell’s Palm Pictures stepped up to the plate sending a representative to see the band play at the Bluebird Theater in May ’99, but they passed on the Czars and ended up signing the more-hyped bands Supreme Beings of Leisure and Cousteau instead. They made the right choice there. Czars members wanted to quit but couldn’t because of a little thing known as “potential”.

By the end of ‘99 The Czars were named Best Rock Band by Westword (a local Denver music magazine), which immediately catapulted them into more promises of fame and fortune, but they continue in obscurity and innuendo. Best “Rock” Band had a nice ring to it, but it wasn’t their bailiwick. The band would have preferred Best Non-Rock Band, but all publicity is good publicty for record sales. Gotta keep that momentum going!

The following year the band was approached to compose the soundtrack for an independent film, “I’d Rather Be … Gone.” Although it never saw the light of day outside of the Gay and Lesbian film festival in San Francisco, the soundtrack mini EP was released by Toronto’s Absalom Recordings that November. Self-produced by the band in Denver with Colin Bricker at NFA studios, unfortunatley Bella Union “was quite disappointed (and) the sounds of things were very ‘flat’ and a bit uninspired,” but Splendid e-zine called it a “darkly beautiful ambience.” We tended to agree with Splendid. The mini-CD remains a fan favorite today and is the number one seller off the band web-site.

Next up was the second Bella Uion album “The Ugly People vs. The Beautiful People.” Recorded in Denver over a month in early 2001, it was released in October with cover art featuring asses and tattoos. After 23 takes at “Black and Blue” the band nearly killed each other, but the recording was finished and accolades poured in, winning the 2002 album of the year in Westword (again!) and receiving critical praise from Mojo, Q, and NME. That elusive American label would finally sign the band (thanks Manifesto Records!), agreeing to a licensing deal for one album with a label option for a second. What happened? The payola was direct-deposited from one label to another. Money and record sales pour in and Bella Union signs a whopping 36 bands, including a Jewish rapper from Nova Scotia. Not bad for a label with only 5 people on the staff. Times were good!

The Czars toured Europe opening for David Gray (?), 16 Horsepower, and The Flaming Lips. Europeans came out in droves to see the band. Three small US tours followed. Americans drove by marquis but didn’t see the band, probably getting them mixed up with the metal band “Czar”, Detroit’s “The Sounds of the Czars”, or the Hollywood Records pop-tarts “Tsars”. Not to be deterred, the band recorded and self-produced the tour EP “X Would Rather Listen to Y Than Suffer Through a C of Z’s”, a reference to John’s linguistics book on Russian sentence structure.

By late 2003 the band was itching to begin work on a new album, but Bella Union wouldn’t or couldn’t pay for studio time. Months and e-mails passed. The band’s proposals were too high, but a counter offer was never made. Stalled and frustrated and, with time and energy running out, the band resorted to begging for donations and loans from its fans to complete the follow-up album, “Goodbye.” Work was completed in June 2004, and “Goodbye” was released to much acclaim (again!) last September. Picked as the 38th on the Top 50 albums of the year by Mojo, it beat out such luminaries as The Shins, Morrissey, and Bjork. Not bad for a bunch of hacks that work day jobs and self-produce their own albums. The band took loans out and second mortgages to get the album produced. This couldn’t or shouldn’t happen. We were just a bug on the windshield of Morrissey’s Jaguar. The album sold well and the band would receive their first royalty check (0!). Not a fortune, but it was enough to pay off some back debt and buy a drink or two.

Little would it last. In 2004, the core of the band would dissolve away over the course of the ultimately prophetic last album entitled “Goodbye”. Over the span of nine months would see the departure of five out of six members, including original founding members Jeff and Chris (after 10 years), plus long-time guitarists Andy and Roger, as well as violinist Elin Palmer. Apparently “potential” had an expiration date. A “quasi” band still exists under the name “The Czars”, but it is a shell of its former self. For a fan’s view on the break-up, visit:

http://spotlightreview.blogspot.com/2005/07/czars-update.html

蚊子们哼哼呀呀的来了
夏天就来了
不熄灯 生活就没有规律 生活没有规律就不能去自习 而且MY和JX中间又出了问题
怎么这么多事情同时发生
五月快走了
是个重逢的季节么
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贴火星图

No, it is just coz u dont know me, i promise. Never ever.
I dont know the exact meaning of butterflyMan but believe me YOU ARE WRONG.

时空错乱 光阴荏苒的 就像被上帝丢在小岛上的石子和大树还有野猪 对着黑夜和未知的祈福横冲直撞的 
五一居然生了个小病 传说中的发烧也第一次领教了 还有非常terrible的headache 
想起来高中两年级的时候第一次胃痛的感觉 就是那种你从来没有想过居然这个地方也会痛的感觉 原来这么多的地方都是可以生病的啊 那么多年了 居然都不知道 健康也是属于反证法来推出的 不是自证的

五月一号被困在六合 已经住下了 突然看到外面的月亮很大很美 就很想回家
天那 就是一瞬间特别想回家 然后就收拾东西了 可是没有车愿意往扬州开了 然后就在路上没有目的的闲逛 看见前面有辆卡车在打火 就冲过去敲车子的玻璃 说你代我一城吧 离开这 离开这个被化工厂笼罩着的地方 这种诡异的情节居然真的可以发生 从来没坐过卡车 然后就上了一个完全陌生的人的卡车 回家 卡车把我带到了六合和仪征的交界处 地名叫青山 从这地名就知道多荒凉 然后就顺着路走到了青山的镇上 一路犬吠相闻 月明星稀
然后就找到一个车送到熟悉的城市之光外 夜里的薄雾 青色的笼在郊区的旷野 我提前下车 走在无比熟悉的土地上 无比熟悉 看了表11点半 给妈妈发短信要她把热水器插上 耳朵里一直是一种完全听不懂的拉丁语的歌 路边有烧烤店还在营业 路过了Vivi的家下面 祝福她妈妈手术顺利 洗了澡就踏踏实实的睡着了 头一直有一种奇怪的感觉 当然了也是两天之后好了才知道原来之前是头疼(愚笨到家了) 然后在家看书背单词把Lost第一季两口气看完了 都成宅男了 然后每天下午去体育场打球啊 晚上有时候和同学聚聚 小茶舍叙旧 说些很老的事 说现在 说以前的谁谁谁怎么怎么了 觉得自己就是一个看客 过去就过去了

爱你居住的城市 LM这么说济南
我也喜欢南京 喜欢扬州 喜欢仪征 尽管无人知晓 这个时间还是要继续流淌的
今天踏着车在满是花香的城市里 这个熟悉又陌生的地方 那么多细碎的表情 都化在夕阳一瞬
没有把手机充电器带回来是明智的 这种明显回降低人智商和情商的东西适合自我折磨的时候用 想想看自己其实就是nothing的 生活在两个世界里 扮演着不同的角色 一不小心就会彻底的Lost  大多数记忆都囿于最近的世界里 偶尔会听到老同学说TY怎么样怎么样了总觉得是在听别人的故事 原谅我 T 你知道我不能再回去 这已经被遗忘的时光 我是万万都不能再拿起
别说你爱我 我已经不是原来的我了 这两座城相距太远 他们注定远离
我喜欢这故事 但是我已经承载不来这重重的压力了我喜欢这里可是我原本不属于这里 从来都不

明天就回到PKU的荒凉小村庄 那里没有什么有趣的老人  没有无聊的小坏蛋们在街头学古惑仔 没有漂亮的包子还有不擦粉也很好看的女子 不过PK的夜里空气里有相同的香味 有一帮会在半夜出来活动的青年们 有只是为了表白的混蛋恋人们 还有数不清的大好青年自习为生 
城市熟睡 姿态安详 毕竟太多事情 和无聊的感情无关 和令人沮丧的爱情无关

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